Listening Post: A day to remember

Soldier waits his turn to speak at Memorial Day observances in Canton. Archive Photo of the Day (5/26/09) by Lizette Haenel

Soldier waits his turn to speak at Memorial Day observances in Canton. Archive Photo of the Day (5/26/09) by Lizette Haenel

Monday is Memorial Day, and this weekend is the traditional beginning of the summer vacation season. It might be time to open camp for the season, to put in the boat, to have the first barbecue of the year, or (if you are so fortunate) to do all three.

Memorial Day is also, of course, a solemn civic holiday devoted to remembering our soldiers who died in war. It was initiated as a national occasion three years after the end of the Civil War and was then called Decoration Day, after the traditional observance of visiting and decorating soldier cemeteries.

I recall it as a major celebration in Potsdam when I was a child, and memories of the great national struggle of WW II were still fresh in the minds of its veterans, the survivors of the fallen, and the civilians who sacrificed to the war effort. Somewhere I still have a shell casing ejected from one of the M-1 rifles fired in salute over the Raquette River at the end of each year’s parade. Schoolboys like me, fascinated with the uniforms, the guns, and the war stories always scrambled in to get the prized brass.

The holiday may be less well-observed now. I think that’s a natural consequence when today, most people are more distant from the experience of war. Wars such as the Civil War and the two World Wars left few families untouched, and no communities unaffected. The wars of the last few decades have not been as all-absorbing to the nation, except of course to the relatively small percentage of Americans who have fought and died in them, and the families who love and support them. But for most of us, it has been possible to go about our business as usual.

I can’t say that this is a bad thing; who would wish our wars to have been bigger? Yet memory is strongest where you have some skin in the game. Fewer of us may feel that immediacy now. Despite my good fortune in never having to experience war face to face, I try to take a little time to remember the skin and kin of mine who have. My father and his brothers and cousins who all survived WWII somehow, though not unchanged. Or my childhood neighbors, disabled by trench warfare nearly a century ago now. My mother, who cranked out tungsten in a defense plant, or my college classmates still haunted by the jungles of Vietnam.

Who will you be remembering on Monday and why? Let us know in a comment below.

What do popcorn and a community have in common?

Change collected and contributed by theater friend, Dr. Way.

Change collected and contributed by theater friend, Dr. Way.

The Indian Lake Theater, this Saturday, May 25 from noon to 4 pm.

Five years ago people in the Indian Lake region came together to save and rejuvenate their movie theater. We’ve all lamented the loss of theaters in other communities around the region.

Indian Lake is a success story. The theater has been transformed from a summer venue into a year-round community hub.

Now, the Indian Lake Theater community organization is raising money to take the next steps necessary to keep the theater viable for years to come: it’s raising money to do renovations and repairs and, perhaps most importantly, it’s planning to acquire digital projection equipment.

Projectionist Vinnie Smith works with the old system. Photo courtesy of the Indian Lake Theater.

Projectionist Vinnie Smith works with the old system. Photo courtesy of the Indian Lake Theater.

Without this equipment? Well, as of September, Hollywood movie companies are eliminating the distribution of 35-millimeter film. That’s it. So the new equipment involves an $80,000 retrofit.

One of the ways the theater is raising money is through “Change is Good!” People are being asked to donate their spare change to the theater. Coin drops are located at businesses in and around Indian Lake leading up to this Saturday’s community celebration from noon to 4 pm at the theater. Volunteers will be counting the change and welcoming people to bring additional spare change. Free popcorn, music by Alex Smith, hot dogs/hamburgers, and a prize for the heaviest donation made during the day.

I’ve watched the Indian Lake Theater “rejuvenation” project, as I think of it, since before it started. Some of the people who decided the theater was worth saving as an important community resource for those who live in the central Adirondacks are very dear friends.

Like all of the best projects, this one seemed like a bit of a long-shot to me: not just in terms of keeping the building in shape and finding the money to hire staff, but in terms of presenting enough programs and engaging substantial audiences.

Okay, I was wrong. Dead wrong. Like I said, the Indian Lake Theater is a success story. Now, they’re taking the next essential step. Help out if you can by visiting the theater Saturday afternoon…and don’t forget to check behind the couch cushions for quarters or just empty the change jars next to the washing machine.

Now, pass the popcorn.

IndianLaketheatrea

Capital Commission adds free wi-fi “hotspots” to core Ottawa attractions

Ellen Rocco just wrote about small, off-beat museums and points of interest. Here’s a snippet of news from one of the bigger players on the visitor scene.

The National Capital Commission is the agency charged with managing places and events that dominate the visitor experience in Ottawa: Winterlude, Canada Day and other public events on Parliament Hill. (Wikipedia lists other areas of NCC responsibility as “Gatineau Park, the Capital Pathway and official residences such as Rideau Hall24 Sussex Drive and Stornoway.”)

As per this recent NCC press release:

This summer, visitors to the Capital Region will experience new ways of connecting and discovering the many Capital sites and landmarks. Over the past two years, the National Capital Commission (NCC) has modernized its approach to visitor services by providing service where visitors are and maximizing the use of new technologies.

“The Capital Region welcomes more than ten million visitors each year and they are looking for information by various means, including the Internet and smart phones,” said Daniel Feeny, Director, marketing and partnerships at the NCC. “The Capital Wi-Fi service and the new Interactive Touch Screen units are part of our innovative approach that uses technology to enhance the visitor’s experience.”

Here’s more info about the free wi-fi hot spots, for visitors or residents.

Is free wi-fi and more ‘hot spots” a big deal, or just a frill? I don’t know, but many of us will live to find out!

U.S. Federal Reserve Chair Ben Bernanke recently gave a commencement address that lauded the potential of the Information Technology revolution:

“…historians of science have commented on our collective tendency to overestimate the short-term effects of new technologies while underestimating their longer-term potential”

More tech access at Ottawa tourist destinations may be mere baby steps. And I have my own personal rants about where this all could head – if, for example, a few private giants (like Facebook or Google) become default components of public sector interfaces.

But things like that are a part of real shifts in how we live, work and play.

Meanwhile, Ottawa and the NCC hope you’ll come visit and check the new features out.

Surprises along NYS roads, from kazoos to knives and bottles

museumcutlery

The American Museum of Cutlery is located in Cattaraugus, NY. Photo: Chuck D’Imperio.

Did you know that Eden, NY is the kazoo capitol of the world and home to the Kazoo Museum and the Original American Kazoo Company (established 1916), the only metal kazoo factory in the United States? No. I didn’t know either until a new book from Syracuse University Press was highlighted in the publisher’s latest catalog.

“Unknown Museums of Upstate New York: A Guide to 50 Treasures,” by Chuck D’Imperio, takes us to the Catskill Fly Fishing Museum, to a bottle museum, one devoted to the history of cobblestones–and the Kazoo Museum. The book explores 50 specialized and quirky institutions, all of them north of New York City.

Full disclosure: While I’m not related to the inventor of the kazoo or mother of a cobble-maker, I do love small, narrowly focused museums and historical societies.

For example, on a trip to Cape Breton, Nova Scotia, I spent a couple of hours in the Acadian Museum in Cheticamp–hooked rugs and other crafts upstairs, and a two-room historical museum downstairs. An elderly woman who greeted me as I entered gave me a personal and vivid lesson in Acadian and maritime history.

On another trip to the southwest, we stopped into a storefront filled with regional exhibits and memorabilia. The volunteer on duty told endless stories about wolves and grizzly bears, about high desert survival, and the eccentrics who moved through the landscape over the last few centuries.

That’s the thing about small museums, the volunteers and staff are always passionate about their exhibits.

kazooBack to kazoos…this quote lifted from the Kazoo Museum website:

The kazoo was invented by an American named Alabama Vest and made to his specifications by a German clock master named Thaddeus Von Clegg in Macon, Georgia back in the 1840′s. A traveling salesman by the name of Emil Sorg brought the idea of manufacturing metal kazoos to Western New York in about 1912. He teamed up with Michael McIntyre, a Buffalo tool and die maker, and together they found a way to manufacture the first production kazoos. McIntyre moved to Eden, New York where he went into partnership with Harry Richardson, the owner of a metal forming plant. The kazoo has become as American as apple pie. It is the most democratic of instruments because anyone can play.

So Chuck D’Imperio’s book intrigues me. He’s serious about the places he’s chosen for inclusion in this guide. Like his previous book, “Monumental New York! A Guide to 30 Iconic Memorials in Upstate New York,” this collection directs you to places worth visiting, particularly if you find yourself on a summer drive in an unfamiliar part of the state.

Robert Lewis Stevenson at the Cottage, third from left. (Photo: Robert Lewis Stevenson Cottage and Museum website.)

Robert Lewis Stevenson at the Cottage, third from left. (Photo: Robert Lewis Stevenson Cottage and Museum website.)

I think Senator Betty Little, who represents our region and chairs the Senate Cultural Affairs, Tourism, Parks and Recreation Committee, really nailed it in the “blurb” she provided for the book:

“Whether well-known or unfamiliar, every museum in the state tells us something about who we are and what we’re about as New Yorkers.”

By the way, D’Imperio directs us to destinations located throughout the state, including our neck of the woods, home to The Robert Louis Stevenson Memorial Cottage and Museum in Saranac Lake.

Now, share with us your favorite small museums and historical society exhibits.

Mapping where we really go, and who we really talk to

coveragemap1Here’s a map of the NCPR coverage area but this column is not about where our signal goes or who listens…at least I don’t think it’s about that.

Look at the map and try to draw a boundary around your most common travel routes. There used to be a comic strip called, I think, “The Family Circus,” in which the artist would often draw the circuitous route of a child’s activities around the house and yard over the course of a day.

This is kind of what I’m asking you to imagine–only think about a typical week or month.

If you live in Watertown, is your regional travel bordered by Clayton or Kingston, Fort Drum, and Adams most days?

If you’re in Plattsburgh, is the shape of your regular travel cornered by Burlington, Elizabethtown and Malone?

Get the idea?

What started this was a wonderful blog entry from NPR’s Robert Krulwich Sarah Harris sent me last month. Krulwich, citing the work of German physicist Dirk Brockman, explores the notion of “whom do you hang with” based on how money moves around regions of our country. Here’s Brockman’s map:

Dirk Brockman's map of regions of interaction in the US.

Dirk Brockman’s map of regions of interaction in the US.

As Sarah pointed out, it looks like northern NY is in the large East Coast band of interaction; while Vermont is firmly within the New England/Boston sphere of influence.

The more muted blue lines indicate money “sloshing around” within a region, but the darker blue borders are really hard and fast in terms of keeping money from moving outward.

Later in Krulwich’s post, he explores another study that tracked phone usage as the basis for visual mapping of our social interactions.

Okay, so back to the beginning.

What’s your home base, where do you go and where do you spend money on a regular basis? And, with whom do you have the most phone interaction–people within your home community or family and friends who live elsewhere?

Major art event opens in Ottawa: Sakahàn

"A Peak in Darien," detail of an installation by New Zealand artist Michael Parekowhai at Musee du Quai Branly, Paris. Parekowhai is one of many indigenous artists represented in the exhibit "Sakahan" opening Friday, May 17, at the National Gallery of Canada. Photo: dalbera, Creative Commons, some rights reserved

“A Peak in Darien,” detail of an installation by New Zealand artist Michael Parekowhai at Musee du Quai Branly, Paris. Parekowhai is one of many indigenous artists represented in the exhibit “Sakahan” opening Friday, May 17, at the National Gallery of Canada. Photo: dalbera, Creative Commons, some rights reserved

Here’s the blurb, from a National Gallery webpage on Sakahàn:

This summer, the National Gallery of Canada is staging one of the most ambitious contemporary art exhibitions in its history. With installations filling both floors of our special exhibition spaces as well as our contemporary art galleries—not to mention several public spaces inside and outside the Gallery—Sakahàn: International Indigenous Art is Canada’s must-see exhibition this year.

I actually encountered advance “buzz” about this show back in February, but it seemed too soon to put in on station blogs.

Early mentions were quite positive. Sakahàn would be the “…largest exhibition of contemporary indigenous art ever held in the world, according to curators”, an event that could reduce the distance between aboriginal art and high art, or so some hoped.

Well, time sure flies and now it’s here. This major summer exhibit opens Friday, May 17th. (The last day will be Monday Sept 2nd).

Ottawa Citizen “Big Beat” blogger Peter Simpson calls Sakahàn “a spectacular show

The massive exhibition of indigenous art — the largest ever held anywhere, the National Gallery says — is a sweeping look at the work from Mexico to Norway to New Zealand and, of course, Canada. It sprawls throughout the gallery, and out onto the grounds. By the time all of its components are up and running it’ll have satellite exhibitions in the Ottawa Art Gallery, SAW Gallery, Carleton University Art Gallery, the Museum of Civilization, the National Arts Centre and in other Ottawa venues. Like a wave of colonizing settlers, the art in Sakahàn has taken over the land.

In a separate post Simpson hints at a huge “surprise” that will also catch the eye of anyone in the vicinity of the National Gallery – a beautiful building with a spectacular view any time of year.

Now I’ll put my foot in my mouth and ask about the pros and cons of lumping art in this manner.

Pro: without a group focus, most of this art might not be seen, or would be seen in scattered isolation.

Pro: native/aboriginal people do have much in common and can benefit from greater networking and linkage

Pro: non-natives (like me) can learn more by being exposed to a broad range of aboriginal art and issues gathered in one place

(What other “pro” points have I overlooked?)

Con: Should diverse, individual artists be lumped this way? Is doing that a blessing, or a curse?

This is a question I often ponder, even though asking it comes across as impolite, or worse.

But, seriously: what makes native or aboriginal art native or aboriginal? Is it the nature of the art? The ethnicity of the artist? The larger native culture that decides who’s in and who’s out? All of the above?

What defines this? Should it be defined?

I’m from Hawaii where many, many races co-existing and (so-called) intermarriage is the norm. Hawaii is proud of being a rainbow culture. Even so, I often have the same (equally impolite) questions there.

For example, when someone who is 1/32nd Hawaiian self-identifies as a Hawaiian artist, well, at that level of genetic code, couldn’t a non-Hawaiian who also identifies with native culture be equally “Hawaiian”? How much of this is about so-called blood, and how much of it is about culture?

The same question comes up in similar ways over things like gender, or age.

Is there such a thing as “women writers”, for example? Or are all writers just writers?

At the Oscars, why are there separate categories for actress and actor? Is acting a gender specific activity? Or are we simply better able ( more accustomed) to compare by gender?

At the Olympics, were minimum ages for sports like women’s gymnastics adopted to protect children, or because a slip of pre-adolescent can flip and contort in ways a 16-year-old woman can’t?

Now I’ve wandered far afield from the original question. But here we are!

When do you find grouping by category helpful? When do you think it hurts?

And putting all that aside, if you’re in Ottawa this summer, consider dropping in on Sakahàn. It sounds very worthwhile.

Listening Post: Which kind are you?

Times Square, New York: JasonParis and  Bourbon Street, New Orleans: Kyle Monohan, Creative Commons, some rights reserved

Times Square, New York: JasonParis and Bourbon Street, New Orleans: Kyle Monohan, Creative Commons, some rights reserved

There are two kinds of people… no, no–not beer or wine, not Yankees or Sox, not Star Wars or Star Trek. I mean Met Opera listeners or American Routes listeners. In the interests of democracy, NCPR serves both in their proper season, but personally, one of my “Signs of Spring” is the voice of Nick Spitzer and the sounds of his roots show from New Orleans.

Maybe there are two kinds of people–New York City or New Orleans. New York is too big and too fast and thinks too well of itself for my comfort. I feel a little out of place there, a little in the way of business–like a flock of sheep crossing the Thruway. And the Met Opera is a little too grandiose for me–great music, high drama, spectacle–it’s a little exhausting. Plus, I mostly dress up for weddings and funerals. I prefer to witness music performances with my blue-jeaned backside planted in a folding chair on the lawn.

Though I haven’t been there yet, New Orleans seems more like my kind of town, a little slower, a little unbuttoned, even a little unglued. A town obsessed with good food and good music has its priorities in order. For example, I can’t think of a single Fortune 500 company headquartered in New Orleans. My kind of town.

The North Country is my home, but like most people, I have been to other places that made an impact on me–Portland, Oregon felt homey to me; Seattle did not. San Francisco here I come–but San Diego, not so much. Albuquerque, yes–Phoenix, no. Miami Beach, hola!–Orlando, where’s the exit?

Where do you fall on the opera/roots spectrum? What are some of the towns and cities you love and why? Spill it in a comment below.

Who’s the highest paid NYS public employee?

highestpaidpublicemployeesaYou may have heard that the highest-paid employee in each state is usually the football coach at the largest state school.

 

 

 

 

 

 

This is actually a gross mischaracterization: Sometimes it is the basketball coach.

So begins Reuben Fischer-Baum’s infographic blogpost about public salaries across the country. You can see from Reuben’s map that both NYS and VT are part of that minority of ten states in which the highest public employee is either a public college dean or president.

This all reminds me of conversations I had as a teenager with my mother who shook her head at the imbalance in salaries across our society, and gasped with disbelief about the difference in, say, an actor’s salary and the pittance earned by a coal miner or family farmer. These are not publicly funded positions, but I think  her concern is still relevant–it recognizes the peculiar value structure in our society, a value structure we’re all buying into when athletic coaches rank among the highest paid public employees.

So, who do you think should be the highest paid public employee in New York State or Vermont?

 

Remembering Louis T.K. Cook

Louis Cook, not long after he completed six years of service with the US Navy. Pictured on the shores of the St. Lawrence River. (Photo courtesy of Ray Cook.)

Louis Cook, not long after he completed six years of service with the US Navy. Pictured on the shores of the St. Lawrence River. (Photo courtesy of Ray Cook.)

Louis (Louie) Cook, former NCPR jazz host and producer, died on Monday, May 13, 2013 from injuries suffered in a car crash last week. Louie worked at the station from the mid-’70s into the early ’90s. Listeners will remember him as the late night host of “Jazz Waves,” and as the innovative producer of the Native issues and culture series, “You Are On Indian Land.”

Louis played an important role in training and mentoring many young radio producers, particularly those from the Native community, including his first cousin Ray Cook.

When I called Ray after hearing the news of Louie’s passing, Ray said, “Louie was the brother I never had.” Ray described Louie as a lifelong teacher and as the person who was responsible for getting him into radio and media. (Ray is Op/Ed editor at Indian Country Today Media Network.)

For those of us who worked at the station with Louie, our memories are very vivid. Radio Bob said, “Louie was full of life, he had tremendous energy, he was passionate about his music–really, he was bigger than life.”

Martha Foley remembers Louie as “a wild guy!” and said, “He introduced me to jazz–he was the perfect late night jazz host.”

And Martha reminded me of another role Louie played at the station: he taught us about Native rights, sovereignty and dignity. As Martha put it, “He taught us on both professional and personal levels.”

staffpaysona

With some of the NCPR staff, back in our old Payson Hall studios, probably late 1980s. Front row: Peter Euler, Lamar Bliss, Jackie Sauter. Back row: Steve Gotcher, Ellen Rocco, Louie Cook, Martha Foley, Radio Bob, Kathleen Fitzgerald.

I remember a staff meeting, probably sometime in the early or mid-’80s, when a colleague used the expression “Indian giver” in reference to someone who had taken back a present. Quietly but firmly, Louie pointed out the inherent ethnic insult in that common phrase, and that led to a conversation about other elements of everyday language that advanced negative racial stereotypes. (I actually recall the example of “gypped” being discussed as a slur against the Roma people.)

Early in my public radio career, I wrote an application to the New York Humanities Council on behalf of a project Louie was working on. We got the money and Louie produced a three-part series about Ray Fadden, the founder and then-director of the Six Nations Iroquois Museum in Onchiota. During the months of production, Louie would always ask the rest of us to stockpile old bread and other simple foodstuffs for him to bring to recording sessions at the Museum: Ray Fadden rarely asked for money from visitors, but always welcomed food for the bears and other animals he fed on the land around the Museum. The Museum is still going strong today under the direction of Ray’s grandson.

From Louie’s cousin Ray Cook, I’ve learned more about Louie’s childhood, and about the work Louie has been doing in recent years. Louie’s mother was born and raised at Kanawakeh, the Mohawk reservation outside of Montreal; his father was raised on the Akwesasne Mohawk reservation further up river on the St. Lawrence. Louie’s father served as a Marine pilot in WW II and returned to the service as a flying instructor during the Korean War. He died in a training action when Louie was about 10; Louie’s mother died around the same time of a heart attack. He was raised by his extended family at Akwesasne, served six years in the Navy and was trained as a lab technician during that time. He went to college after the service and began working at WSLU (NCPR’s original name when we operated just a single transmitter in Canton) in the late ’70s.

A few years after leaving the station, Louie moved to South Dakota, remarried, and began working with a nonprofit organization that helps Pine Ridge reservation families build and maintain gardens. Louie was a self-trained botanist and I’d be lying through omission if I didn’t tell you that he learned many of his agricultural skills through years of developing growing techniques and seed varieties for the cultivation of marijuana. According to Cousin Ray, at Pine Ridge, Louie was associated with Alex White Plume, former President of the Oglala Sioux Tribe at Pine Ridge, who has worked for years to develop seed and growing techniques for the cultivation of industrial hemp.

Louie-Cook-12a

Louie more recently. (Photo courtesy of Ray Cook.)

Louie had his demons. Indeed, Ray Cook used those very words when I talked to him. The good news is that he pushed his way through the emotional and psychological challenges and came out the other side: successful, to my mind, because he spent so many years helping other people.

Bucky Cook, a youngster when Louie worked at the station, is known throughout the Mohawk community at Akwesasne as a host and producer at CKON and as an emcee. The apple doesn’t fall far from the tree.

I’ll keep adding to this post as more old friends, colleagues and family members weigh in with their memories and stories of Louie. Please add your comments and memories, too.

For all at the station, our condolences go out to Bucky and other family members, and to Louie’s friends and extended family at Akwesasne and Pine Ridge.

Skennon. (“peace” in Mohawk–thanks to Ray Cook)

 

 

 

 

Democracy vs. ketchup squeeze bottles

ketchup2Earlier this week Jonathan Brown sent me a link to a recent blog post by HBO talk show host Bill Maher. Maher is an unapologetic liberal commentator. But that’s neither here nor there for the moment.

In the blog post I’ve linked you to, Maher describes attending the White House Correspondents’ Dinner earlier this month, during which the presenters dissed most of the major media outlets for “gettting it wrong” in recent weeks, particularly in their coverage of the Boston Marathon bombing.

But Maher points out that one news program stands out–time and again–as a bona fide purveyor of journalism vs. sensationalism: PBS’s Newshour. He goes on to talk about our ailing fourth estate:

Back in the day, the network news broadcasts weren’t designed to make money. They were a loss leader. Because people understood the difference between news and entertainment: one was something you needed to eat, and the other was dessert.

But then capitalism took over the news business. And since then, the news has gone down…

Hey, don’t get me wrong — capitalism is a great thing. When it comes to designing America a new ketchup bottle that sits upside down so all the ketchupy goodness has already moved right to the opening so that you can then squeeze it on to your fries and avoid all of that needless pounding on the bottom of the old glass ketchup bottles, capitalism is the way you want to go. Because capitalism gets you what you want, and at the lowest price.

But in a democracy, there’s a difference between what you want — my ketchup to come out of the bottle on cue — and what you need, which is an informed citizenry.

Our problem isn’t that we have capitalism and that we have democracy. It’s that we think they’re the same thing.

Public radio and public tv news: the meat and potatoes you squeeze that ketchup onto.

Thanks, Bill.