Posts Tagged ‘arts’

Ice harvesting for the Saranac Lake Winter Carnival ice palace, a history that has not changed

Garrett Foster makes the early morning first cuts with a 1939 ice harvesting saw.

Photography by Mark Kurtz except where noted.

Construction of the Saranac Lake Winter Carnival ice palace has begun, with one aspect of the building process being no different than it was 75 years ago, the ice harvest.  Garrett Foster, Michael Knapp and Mark Weller meet early in the morning at Sturdy Supply in downtown Saranac Lake where a 75 year old motorized saw is cranked up for another day of ice cutting.  The saw is kept inside overnight so it will start more easily in the morning.

Garrett carefully guiding the saw along the previous cut’s straight line.

Once it’s started it is transported on a small trailer over to Pontiac Bay on Lake Flower, still running – they don’t dare shut it off.  It is slid off the trailer and onto the ice where Garrett takes control of it and begins the process of cutting ice – 500 blocks for this past Sunday morning’s work, 400 blocks the day before.  By mid afternoon all the blocks will be high on the walls of the 2013 ice palace.

The 1936 Wisconsin 9 hp engine that powers the ice harvesting saw.

The saw has a long and storied history.  The engine is a 1936 9 horsepower Wisconsin.  The saw was built in 1939 by Harry Duso to cut ice on Crescent Bay on Lower Saranac Lake.  Harry then stored that ice and sold it during the summer from his store and marina to campers on the “lower lake” and to those staying at Duso’s cabins.  That saw also saw use cutting the ice for the ice palace.  Harry’s son Don took over cutting the ice for the ice palace in the mid 50s and continued to 2004, using the saw Harry made.

A photograph from the January 14, 1980 Adirondack Daily Enterprise of Don Duso cutting the ice on Lake Flower for the Saranac Lake Winter Carnival ice palace.

Recognizing his own limitations with age, Don took Garrett under his wing and started training him on the saw.  Garrett took over in 2005 and has been doing it since…with the same saw.

Don Duso on the right, giving some sage advice to Garrett Foster in 2006 on how to handle the saw.

Michael Knapp is the primary “mechanic” for the saw.  His philosophy on maintaining the saw is “if it ain’t broke, don’t fix it”.  Michael said that he really doesn’t do much more than change the oil.  “It’s a very simple machine – there isn’t much to it and it doesn’t take much to keep it going”.

The blade is sent out to be sharpened every year.  Unless they hit bottom with one of the first cuts, which is near shore, it doesn’t need to be resharpened throughout the cutting for the palace ice blocks.  The only thing this Saranac Lake museum piece is used for is cutting the ice for the ice palace.

With the antique saw making the initial cuts, ice palace volunteers in the background use vintage ice cutting hand tools to finish harvesting the ice for the Saranac Lake ice palace.

The first day of cutting, a chalk line is snapped on the ice to get the first cut straight.  Everything after that is based on sliding the saw along the previous straight cut.  First going the length of the ice field and then crossing at a 90° angle, creating a grid of 2′ by 4′ cuts in the ice.  The saw can cut a depth of 11″ but so far this year it has been set to only cut 9″ deep – there needs to be enough ice left so the workers using the hand saws and “spuds” (kind of a long crow bar used to split the already scored blocks away from the ice field) can safely walk on it.

Michael Knapp winches the vintage saw onto the trailer at the end of a morning’s work.

The ice blocks are only 12″ thick because the warm weather this January didn’t allow for much ice to grow before starting to build the palace.  The builders won’t start to cut until it is at least 12″ (anything less than that the blocks break very easily)  It got to that 12″ bare minimum this past Saturday.

Bill Madden uses a vintage ice cutting hand saw, finishing the cuts made by the power saw, to cut 2′x4′ ice blocks on Lake Flower.

 

 

 

 

After the circular power saw cuts are made, a hand saw, also of antique vintage, is used to cut all the way through the ice, but only every three blocks.

 

 

 

A crew of 4 volunteers use spuds to strike the ice in unison in the partial cut made by the circular saw, breaking the ice blocks away from the field.

 

 

 

Then three or four palace workers, on a count of three, hoist spuds as high as they can, straight up from the ice and plunge them down into the crack the circular saw had made, splitting that iceberg of three blocks away from the ice field (now you understand why there is some ice left by the power saw for workers to walk around on!)  Then a spud is slammed down into the cracks of the cross cuts in the three block long pieces splitting each block apart from the others.

 

The moment the spuds stike the cut created by the circular saw and break the large block of ice from the ice field.

 

Marilyn Corson using a pike to move the ice blocks to the edge of the bay where they are pulled from the water for the ice palace.

The 2 foot by 4 foot blocks are then floated toward the edge of the bay by “polers” using pikes, (long poles with a hook and a pick on the same end) to control where they go, to where they are plucked from the water…that is where modern machinery takes over.

Volunteers Martha Watts and Ryan Murray guide the ice blocks with pikes to the edge of the bay where they will be pulled from the water with modern equipment.

 

 

 

 

 

 

 

Some of the vintage hand tools used in harvesting the ice on Lake Flower in Saranac Lake.

The ice blocks floating in Pontiac Bay until they are plucked from the water for the 2013 ice palace.

 

The blocks used for the ice palace are about twice the size as what was harvested 75 years ago.  At that time, ice had a value and it was stored until the summer when it was then used to keep perishable items cool.  Ice was not just used locally, but was also shipped out of the Adirondacks.  Stories have it that Adirondack ice found it’s way to the drinks of urban socialites in places like New York City.

 

Early ice palaces were not left to melt as today’s are.  The ice in an ice palace, already cut and removed from the lake, and being a valued commodity, was not going to be left to melt.  The palaces were disassembled and the ice put into storage for use the following summer.  At that time, harvesting the ice for the ice palace was put out to bid.

Early 1900s ice palace. Photograph by William Kollecker.

Architects designed many of the palaces.  They were quite elaborate and there were a couple of years where they were hauled up to the top of Slater Hill, where the North Country Community College administration building stands today.

Today’s ice palace is built entirely by volunteers.  There are day crews, those that are in a position to be away from work during the day, night crews, those that show up the minute they are done at work and weekend crews, which is everyone.  This year’s ice palace will be a little smaller than originally planned – the warm weather earlier in January has reduced the work time to only one week.  Usually two weeks are taken to build a palace.  Ice palace chairman Dean Baker said the original design called for 2000 blocks.  How many this year?  Baker said “It depends on the weather.  We’ll cut ice right through Friday if the weather allows us to.”  The official lighting of the palace and opening fireworks takes place Saturday evening at 7:00 so it all has to be ready to go by then.

Saranac Lake is not the only place in the Adirondacks where ice is still harvested.  Caperton Tissot, author of “Adirondack Ice, a Cultural and Natural History” said there are several ice harvests in the Adirondacks.  The New Bremen Volunteer Fire Department harvests ice each year and sells it as a fundraiser in the summer.

Jim Dillon on Raquette Lake has carried on a tradition from the family business.  The Raquette Lake Supply Company was one of the largest commercial ice companies in the Adirondacks, shipping ice by New York Central Rail to New York City…undoubtedly where some of those New York socialites enjoyed it in their cocktails.  Dillon, a descendent of the original owner, still has a one day ice harvest, mostly to carry on the family tradition but he does use it in his store, which is still called the Raquette Lake Supply Company.

According to Tissot, there is one Long Lake camp owner that does a private ice harvest every year and there are some Great Camp owners who still have their caretakers harvest ice for their guest’s cocktails in the summer.  Tissot reports that the Underwood Club in North Hudson has, in recent years, done an ice harvest each year.

So, it is possible to step back 75 years on the shore of Lake Flower (next to the NYS DEC boat launch) and witness ice harvesting as it was done “back in the day”.  Garrett starts his cutting with that 75 year old vintage saw around 8:30 in the morning and, depending on how things go that day, finishes up around 9:30 or10.  The work with the hand saws, spuds and pikes will go on for a little awhile after that and work on the palace itself goes into mid-afternoon and then picked up again in the evening.  It is expected that ice cutting will be every morning this week but the forecast of warmer weather midweek could change that.

End result – the 2012 Saranac Lake Winter Carnival ice palace at the opening fireworks.

A complete schedule of the Saranac Lake Winter Carnival can be found at saranaclakewintercarnival.com.  Updates including photos of the day can also be found at that web site and the Saranac Lake Winter Carnival facebook page.

Hercules and the Shakes in the Park

What are you talking about? Okay, I invited Tara Bradway at the Adirondack Shakespeare Company, aka ADK Shakes, to do a guest blog post about this summer’s production and schedule. Here’s her piece:

Adirondack Shakespeare Company brings fantastical children’s programming to the Schroon Lake Region

ADK Shakes (as the company is fondly known) is currently preparing for its second year of children’s programming. After a successful run of Theseus and the Minotaur, the company is thrilled to introduce the most famous of Greek’s legendary heroes in The Twelve Labors of Hercules. This production boasts a tightly-knit cast of five professional actors playing the heroes, monsters, gods and goddesses of Ancient Greece.

Says Artistic Director Tara Bradway, “Our process is rather unusual. The cast comes in fully memorized, and we put the show up with very limited rehearsal time — usually about twelve hours.” The cast will work together seamlessly to produce masks for some of their characters, learn to manipulate the monsters (several of which are hand-made puppets), and work their scenes over the course of two days’ rehearsal. This lends an incredible energy to the performances and brings the audience in as part of the creative and imaginative process. To see more about the mask and puppet-making processes, visit Tara’s blog My words fly up at drshakes.blogspot.com

The Twelve Labors of Hercules will open on Wednesday, July 11 at the Boathouse Theater in Schroon Lake Village at 11:00 a.m. and begin an intensive tour throughout the Adirondacks, including stops in Lake Placid, Bolton Landing, Indian Lake, North Creek, and Saratoga Springs. The Company is also excited to be a part of the Ticonderoga Arts Week with a performance on Thursday, July 26 at 4:00 p.m. graciously sponsored by the Ticonderoga Arts Guild.

Several performances will be held in outdoor parks throughout the region. At the parks, the company will perform selected scenes from the show every half hour. Bring a picnic, some sunscreen, and hang out with the cast in Saratoga Springs, Lake Placid, or Bolton Landing all day long!

See the full schedule for The Twelve Labors of Hercules below, or log on to www.adkshakes.org. Advance tickets may be reserved at adkshakes.ticketleap.com. ADK Shakes is also performing a main stage season of Shakespeare’s Twelfth Night, Hamlet, and Tom Stoppard’s Rosencrantz & Guildenstern Are Dead. If your children love theater, take them to see Twelfth Night or Hamlet too! Families with children as young as four have attended ADK Shakes’s productions of Romeo and Juliet, A Midsummer Night’s Dream, and The Merchant of Venice and been amazed at how engaged the children are, how well they understand the stories, and how enamored they become of the characters.

For more information, visit the company’s website: www.adkshakes.org, email info@adkshakes.org, or call their office at 518-803-4162. Tickets may be reserved directly through adkshakes.ticketleap.com

Wednesday, July 11th, 2012, 11:00AM-12:00PM

Boathouse Theater, Dock Street

Schroon Lake, NY 12870

Now, tell us about the summer theatre production you’re looking forward to seeing, or let us know if you’re affiliated with a theatre company and include a link to your performance schedule.

Check out Connie Meng’s recent reviews of regional theatre productions here.

Jazz lives!

Tonight the TD Ottawa International Jazz Festival begins in Canada’s capital.  Like the other terrific festivals in the region, this festival is a living, breathing, swinging example that jazz is not dead…far from it.

Yes, jazz record sales account for just 1-2 percent of all music sales (for what that’s worth anymore), but record sales really don’t paint an accurate picture of where jazz is today.  For the next ten days thousands of people will stream into Confederation Park and other venues each night to hear straight ahead jazz, jazz-influenced folk or rock or pop or bluegrass or funk, and some challenging, genre-defying music that will, for some, totally redefine what jazz is.

These people will have a chance to see over 120 different performances between now and Canada Day.  They’ll see the big stars of the jazz world like Esperanza Spalding, Dave Holland, Branford Marsalis and Bill Frisell.  But they’ll also see brilliant lesser-known acts who probably drive a beat-up van from gig to gig and scrape together a living sharing their art because after food, shelter and oxygen, jazz is the most important thing there is.  These are the people I’m most looking forward to seeing.  To me, these are the people keeping jazz alive.

If you are going to the festival, I hope you’ll send me your impressions of what you saw (joel@ncpr.org).  I’ll be there every night, and our Web Manager, Dale, has given me the keys to the digital castle (passwords to our Facebook and Twitter accounts) so I’ll be sending back photos and updates.

Nope, jazz isn’t dead.  But don’t take my word for it.  Go see some live jazz for yourself…in Ottawa or anywhere.  Help to put some gas in the tank of that beat-up van so that the ride to the next gig can be just a little bit smoother.

Listening Post: Where the music plays

Every time I get the chance to hear a live music performance (or almost every time), I ask myself “And why do you bother listening to recordings?” The best answer is that you have to listen to something between performances. It’s better than a poke with a sharp stick. But all my best, most-exciting, deeply-moving musical experiences happen when I go to someplace where someone is making it up fresh on the spot.

The Fraser Clan on stage at the Edwards Opera House

Not everywhere is well-suited to the task. Electric Hot Tuna should probably not be cranked up to ten inside a small cinder-block hockey arena. And a shy singer-songwriter should not have to compete with the frappacino ice grinder back at the counter. But the North Country does have a great variety of venues, both inside and outdoor, that were made to play music in.

One of my favorites is the lovingly-restored Edwards Opera House–great historic building, decent acoustics, intimate and comfortable, and soft-serve ice cream just across the street for intermission. It doesn’t have to be a made-to-order locale either–old North Country churches are among my favorites. And roadhouses that beg to have a blues band down past the bar, bandshells on the village green, gazebos in the park by the river.

As we did for belly-food last week, I’d like to do for “soul food” this week–and have you send in your favorite music venues around the region. What/who did you hear? What was the venue like? What made it a great experience?

Make your comments below the map. I’ll add them to the map as they come in.

Live Music Venues in the North Country (in progress)


View Live Music Venues in the North Country in a larger map

On Maurice Sendak

Illustration from "Where the Wild Things Are," 1963. Photograph from the Rosenbach Museum and Library, Philadelphia, via nytimes.com

I was sad when I learned that children’s author and illustrator Maurice Sendak died today at 83. His books hit the shelves in the early sixties, when my parents were kids. They loved his books, so when I arrived on the scene, they proceeded to read them aloud to me.  As a small child I was drawn in by the fierce monsters in Where the Wild Things Are, by the surreal baking and cityscapes from In the Night Kitchen. My mother’s battered copy of the Nutshell Library — four small books in a box — was always on the nightstand. The soundtrack to “Really Rosie,” Carole King’s rendition of the Nutshell Library put to music, was always playing on the tape deck in our car.

Maurice  Sendak’s books were wild and scary. And they were controversial: In the Night Kitchen was criticized for its depictions of a naked child. But their lessons made their way off the page and into my early life. Remember Pierre, the nonchalant child who was eventually eaten by a lion? If ever my sister or I muttered a desultory “I don’t care,” my mother would issue a stern reprimand: “Don’t be like Pierre!”

You can read a New York Times tribute to Maurice here.

Points south

Lake George Arts Project homebase--great location, but just the starting point for a rich range of arts activities. Check out their website for details.

Some people go to Florida at this time of year. For me, “south” is anywhere between Glens Falls and North River, the southern portion of our coverage area. Last weekend, I was fortunate to participate in a writing workshop organized by the Lake George Arts Project and the Adirondack Center for Writing. I am embarrassed to admit that this was my first visit to the LGAP, a beautiful exhibit space in a fabulous location, with offerings across the entire arts spectrum.

Spring 2012 starting point...we'll keep following the community mosaic progress through the summer.

On the way north, I passed through North Creek, where I’ve been tracking a public art project started last summer by artist Kate Hartley. Here’s a link to an update I did in December, through which you can trace back to the bare wall Kate and her community crew faced on Main Street.

The arts path through our region is rich and deep, like a network of capillaries reaching even the most remote hamlets. Share with us cultural events and projects in your neck of the woods. That’s why the digital geeks created a “comments” function for this blog.

Google images goes to the museum.

"Sunday on La Grande Jatte," Georges Seurat

Google–information of purveyor of all types–has expanded into art. The Google Art Project is a database of over 32,000 high-quality images of art work from around the world. The New York Times calls it

“a broad, deep river of shared information, something like a lavishly illustrated art book fused with high-end open storage.”

And it is. It’s easy to spend a few minutes–or an hour, or longer, I can attest–feasting your eyes on paintings by Dutch masters or early Australian cave drawings. It seems, at first glance, like a wonderous and unending collection of all kinds of art for everyone to look at.

But the project still has has pretty big flaws. As the NYT points out, a number of important museums including the Louvre and the Prado haven’t signed on. The artists with work in the collection are alphabetized by first anne. The project certainly begs copyright issues, and there are whole schools of art and thought totally left out–notably 20th century Modernism. There’s not a single Picasso featured in the entire collection.

I’m really intrigued by The Google Art Project. I think has the potential to change how a lot of people access art (gone, it seems, are the days of the slide projector we used in high school art history class). But I’m hesitant to champion it just yet, because I can understand why a museum might hesitate to allow the treasures in their collection to become part of a Google endavor–Google is perhaps the greatest curator of all.

What do you think? Is this an egalitarian project bringing art to everyone with an internet connection? Or will Google wield undue influence on the art we, culturally, might want to consume?

A bit of historical fiction outdoors

The Last of the Mohicans Outdoor Drama wraps up its season on August 20. Here’s a taste of what they’re up to at Wild West Ranch near Lake George:

Tod Moe talked with playwright and founder Michael Dufaut last month. Listen to the interview.