Posts Tagged ‘arts’

Can Americans handle conservative (and even ultra conservative) art?

The History Channel says there was no intention of connecting “Satan” to President Barack Obama, calling the idea “utterly ridiculous.” (Photo: History Channel)

So let me say right at the start that this isn’t a “trend” story.  There is no evidence  that “the arts” are producing more conservatives, or more ultra-conservatives.

But with the proliferation of right-of-center media outlets and the viral nature of the internet, we have interesting new windows into the world of ring-wing art and artists that might have flown under the radar in earlier generations.

Right now “The Bible” on the History Channel is drawing attention for its glowing and sometimes racy re-interpretation of, well, the Holy Book.

It’s a spin on Scripture that includes a Barack Obama look-alike in the role of — wait for it — Satan.  The series has been a hit.

Meanwhile, there’s a fascinating dust-up in the Pacific Northwest, where sculptor Charles Krafft was “outed” recently by a local weekly newspaper for embracing white nationalism and Holocaust deniers.

“I think he’s been demonized excessively,” Krafft said, referring to Adolph Hitler in an interview with public radio’s Studio 360.

“I’m not trying to resurrect National Socialism or Hitlerism, but my opinion of the man has changed considerably since I began my revisionist investigations.”

Krafft is a hugely respected artist, clearly a bright, thoughtful guy and a mainstay of the arts community in his region, whose work — including a Hitler-themed tea pot — has been collected by museums nationwide.

In the past, his fascinating explorations of Swastikas and other National Socialist symbolswere viewed as irony or transgression.

A work by Charles Krafft. Irony? Or some other form of political expression. (Photo: CharlesKrafft.com)

Now?  Not so much.

But his fringe-conservative views have sparked consternation and hand-wringing and Krafft’s entanglement isn’t unique.

Long-time “alt-folk” musician Michelle Shocked has drawn heavy fire recently after emerging as a vocal born again Christian and reportedly telling her audience that God “hates fags.”

“I live in fear,” Shocked said, “that the world will be destroyed if gays are allowed to marry.”

A similar controversy has long embroiled one of the country’s most respected and beloved writers.

Orson Scott Card, whose “Ender” series is a mainstay for young readers and sci-fi fans, has been vocal for years with his aggressively anti-homosexual views.

Card has written at length about the idea of an actual war embroiling the United States, pitting conservatives against liberals.

 

Orson Scott Card’s novel about an armed war between liberals and conservatives is described as a “disturbing look at a possible future” for America.

In a commentary written for the Mormon Times, Card seemed to embrace the idea of armed resistance if same-sex marriage is legalized.

“Marriage has only one definition, and any government that attempts to change it is my mortal enemy,” Card wrote. “I will act to destroy that government and bring it down.”

Those views forced DC comics to shelve plans to have Card pen a story for their Superman line of comics, and have also complicated plans for a Hollywood movie based on “Ender’s Game.”

As a side wrinkle, there is also a fascinating urban myth-style screed circulating that purports to share the anti-big-government views of Bill Cosby.

“I’m tired of being told that I have to “spread the wealth” to people who don’t have my work ethic. I’m tired of being told the government will take the money I earned, by force if necessary, and give it to people too lazy to earn it.”

Turns out the conservative tirade — which also targets Muslims and climate change activists — is a hoax, that lives virally via email and Facebook.

I think it’s fair to say that these kind of right-wing views are more shocking in the art and media world than comparable views on the left.

HBO acknowledged that the head on a pike in “Game of Thrones” looked uncomfortably like former President George W. Bush (Image: HBO)

(HBO did get in a spot of trouble when their “Game of Thrones” series included an image of George W. Bush’s severed head.)

But artists across the political spectrum have long been eccentric contrarians, embracing behavior and lifestyles that jar convention.

And I think it’s also probable that a lot of artists with right-leaning views keep them under tight wraps, for fear of facing the kind of backlash that has embroiled Krafft, Card and Shocked.

So what do you think?  When an artist you like stakes out a political position you disagree with — perhaps even a political position you find morally indefensible — do you stop reading his books or seeing her movies or buying his sculpture?

 

 

 

 

Ottawa’s first “Nuit Blanche” happening this Saturday

The theme of Ottawa’s first Nuit Blanche is “Life is Beautiful.”

What’s Nuit Blanche? A night-time festival of the arts. Just for one night, but happening all night. Ottawa will try that out this Saturday.

As the literal translation implies, Wikipedia says these events are usually held in winter. But no matter. This one’s not.

The Ottawa Citizen’s arts-editor-at-large Peter Simpson  summarizes the event thusly:

The idea of Nuit Blanche, born in Paris and held in cities and towns around the world, is to put art installations in expected and unexpected places throughout the centre of the city. Most of the exhibitions — some are transitory installations and others are more familiar exhibitions of paintings, photography or sculpture — will be in the ByWard Market, with more in Hintonburg and a few scattered here and there. Some artists will roam throughout the city core, as organizers hope plenty of spectators will do.

Nuit Blanche takes place in several ‘zones’ plus a bit of spontaneous roving. (details on locations, shuttles, etc. are on the main website.)

It all takes place September 22 from 6:22 p.m. and goes until 4:23. (Quirky times are intentional. To step outside ordinary, etc.)

It’s free and all are welcome.

Major Van Gogh exhibition opens in Ottawa

Here’s a heads up for art lovers. Beginning Friday, May 25th the National Gallery Of Canada is presenting “Van Gogh: Up Close”, described as the first major showing of the famed Dutch artist in this country in over 25 years. Ottawa will be the only stop in Canada.

The same show just closed at the Philadelphia Museum of Art, as reviewed here by the New York Times.

As Ottawa’s exhibit web page describes:

It brings together more than 40 of Van Gogh’s paintings from private and public collections around the world, as well as a selection of Japanese woodblock prints, nineteenth-century photographs, and works on paper from the sixteenth to the nineteenth centuries.

This exhibition explores Van Gogh’s love for nature and his gift for representing the world around him, from landscapes down to the smallest blade of grass.

For many, there’s just something about Van Gogh’s work, or his troubled life, that captures attentive fascination. A number of articles in the Ottawa Citizen speak to this, as with “What makes Van Gogh so great” by Peter Simpson. Simpson also wrote up a preview of the show:

There is so much to see in this exhibition, and the open configuration of the various rooms creates a pleasing spaciousness that allows you to look back or forward into other rooms, enhancing the continuity of the tour through his brief career.

There are also 19th-century photographs like those van Gogh would have seen. Be sure to seek out Adolphe Braun’s 1855 photograph of white and dark roses, each as proud a rose as you’ll ever see. There are also Japanese prints, from the collection of the Royal Ontario Museum and of the sort that had such an influence on van Gogh.

Nowhere is the Japanese influence more clear than in Almond Blossom, from 1890, an intimately personal work. A few almond branches jut into a blue sky, simple and uncluttered, the birth of something new and pure. Van Gogh painted it for his new nephew, also named Vincent, and it is a testament to life and rejuvenation.

Here’s a video of guest currator Dr. Cornelia Homburg discussing the show’s significance. The admission price of $25 is also significant, but that’s to be expected, I suppose. This is the big time, after all! (Thankfully, there are price breaks for students, seniors and families.)

You can also make the quick hop across the Ottawa River to the Museum of Civilization’s Imax Theatre to see “Van Gogh: Brush With Genius“. (It’s close enough to walk, actually. With spectacular views along the way.)

Movie critic Jay Stone said the movie has a few problems such as “…some time-lapse scenes of crowds moving through a Van Gogh exhibit … you get a biopic that is disconcertingly post-modern when it should be a little more impressionistic.” Still, overall, Stone says the experience is redeemed by the art:

This Imax film puts some 40 masterpieces on the big screen in close-ups so intimate you feel you could ski down the impasto. Vincent Van Gogh was known for the thick layering of brilliant colours – notably what the film calls the “high yellow note” – and the large-format camera captures the details of his frantic passion. The swirl of his suns and his sunflowers, the jabs of colour in the wild skies, the plastered reds and greens hidden in faces (Van Gogh was an advocate of the amplifying effects of complimentary colours) fill the screen with glory.

“Van Gogh: Up Close” runs through September 3rd at the National Gallery.

Big changes in Adirondack theater community

Leadership changes on stages in Lake Placid, Saranac Lake, Westport

Arts organizations are often churny, chaotic, muddled institutions.  Especially during economic downturns, like the one we’ve just experienced, even the best theaters, galleries and performance spaces can flame bright then flame out.

The Adirondacks has had a remarkably stable scene in recent years, but there is a sort of generational transition underway now at two of the big institutions, Pendragon Theater and the Lake Placid Center for the Arts.

This week, LPCA’s board announced that Nadine Duhaime is stepping down as executive director after 26 years.

Duhaime has successfully guided the Arts Center, a not-for-profit, through challenging financial times and has helped shape the Center into one of the largest, multi-faceted and thriving organizations of its kind in New York State.

The LPCA Board of Directors has reluctantly accepted Duhaime’s resignation with the understanding that she will stay on until a replacement has been found.  The Board will be organizing a search and hopes to fill her post by the end of the year.

Meanwhile, Pendragon Theater in Saranac Lake has also announced that co-founders Susan Neal and Bob Pettee will also be stepping down following a transition that will end in the summer of 2013.

Pendragon has announced that Karen Kirkham, chair of the theater and dance department at Dickinson College in Carisle, Pennsylvania, will take over as executive and artistic director.

SUNY Potsdam alum David Zwierankin will take over as managing director at the theater, which has emerged as one of the top professional theater companies in the region since its first production in 1980.  This from the official announcement:

“We are delighted that our new leadership team will ensure Pendragon remains true to its mission and tradition: presenting professional, engaging, diverse theater and education programs throughout the Adirondack Region” said Charles Carroll, Board President.

One other arts transition note:  This will be the first season for the Depot Theater in Westport under the leadership of new managing director Angel Wuellner.  Wuellner started in the post April 2nd, according to a Depot Theater announcement.

“We are thrilled to welcome Angel into our theatre family,” said George Davis, president of the Depot Theatre Board of Trustees. “She was a standout in the executive team’s national search, with ample industry experience and terrific energy.”

In defense of the Three A’s

Have your kids been introduced to this man?

Two events this past week got me thinking about North Country schools, and particularly a cluster of subjects — the visual arts, music, and foreign languages — that I’ll call the Three A’s.

First was the report in the Adirondack Daily Enterprise detailing job cuts in the Saranac Lake school district, where my son Nicholas is a High School sophomore.

Three of the positions that will go happen to fall in this area of cultural literacy:  an arts teacher, a foreign language teacher and a music teacher won’t be replaced when they retire or move on.

The second event was a happier one.  My son Nicholas walked home from school and literally came shouting into the house that I had to hear a piece of music.

He jacked his I-pod-smart-phone thing into the stereo and cranked it up  and the sound that came booming out of the speakers was Gustav Holst’s “The Planets,” and in particular “Mars, the bringer of war.”

His music teacher had not only introduced him to the piece.  Nicholas was turned on to it, engaged, passionate.

I think it’s fair to say that this is — anywhere in America — exactly the kind of experience parents want their kids to have in public school.

But especially in rural places like the North Country, I think it’s important, even essential, that educators, school boards, and taxpayers think long and hard about cultural literacy.

As they launch into life from our unique part of the world, our kids need not just the practical skills that will prepare them for a successful work life, but the much broader set of skills that will help them navigate our complex, fast-evolving society

I’m convinced that maintaining the Three A’s in our schools is also an essential economic development tool, as the North Country tries to woo young families willing to settle or remain in our small towns.

Some communities offer a lot to people willing to step away from kinetic, urban America.  But if our schools don’t offer children a rich, diverse, turned-on experience, parents won’t even consider us.

None of this is a knock on the Saranac Lake school district, or on the other districts around the North Country that have made tough, brutal choices during this economic downturn.

In the final equation, very good things are going to be cut.  Everyone will see a sacred cow gored.

And obviously, we need to teach our kids the basics:  how to read and write fluently, a solid foundation in mathematics, a practical core understanding of science.

The people charged with making these choices are heroic.  They clearly have the best interests of our kids in mind.

What I am suggesting, however, is that the Three A’s need to be ratcheted up two clicks on the scale of importance.

All too often, in this age of standardized tests, the arts are seen as expendable, and relatively “easy” things to let go.  We can’t make that mistake.

That may mean taxpayers cracking open their wallets a little wider.  But I also think districts need to be far more creative about making cultural literacy happen, despite necessary economies.

Tupper Lake, Saranac Lake and Lake Placid are all cutting programs.  What if they partnered to create a single, shared foreign language department?

Taken together, even with fewer people on staff, the three districts might actually offer more language choices.

The same could be done for the visual arts and music.  By merging cultural literacy programs in small, underfunded districts, we might see a real flowering of creative thinking, and passionate public education.

The bottom line is that we can’t give up on that fundamental experience, the thing more important than any specific skill, that public schools have to provide.

That is, the opening and energizing of young minds.

Port Henry’s Star Trek crew embarks on another voyage

The original “five year voyage” of the starship Enterprise was rudely canceled by network executives at NBC in 1969.

In the decades since, no revival of that imaginary universe has been more true to the original spirit than the “webisodes” produced in an old used car garage in Port Henry, in the eastern Adirondacks.

The latest episode, titled “The Child,” went live on-line earlier this month and you can watch it free of charge by clicking here.

The Star Trek “Phase 2″ project is captained, in more ways than one, by James Cawley. (That’s him in the yellow Starfleet jersey.)

In the series, he reprises the role of James T. Kirk.  This from the project’s website gives you the idea:

Q. Why Kirk, Spock and McCoy? Why not new characters set in the same timeline?

A. Star Trek: Phase II’s producers/crew feel that Kirk, Spock, McCoy and the rest should be treated as “classic” characters like Willy Loman from Death of a Salesman, Gandalf from Lord of the Rings or even Hamlet, Othello or Romeo. Many actors have and can play the roles, each offering a different interpretation of said character. Though the character is the same, the interpretation of the actor is what’s in question. We feel that the crew of the Enterprise has more to teach us about life and each other than has been explored to date.

Q. What is the premise of the new show?

A. The new show will be the continuing voyages of Captain Kirk and the crew of the U.S.S. Enterprise, NCC-1701 as seen in the 1966-69 television series, Star Trek. The series was cancelled after its third season. We are presenting the series as if it were in its fourth year. We acknowledge that the visual effects are contemporary, but we work hard within out capabilities to keep the effects familiar to fans of the original series.

So — is the new episode good?  If you’re a fan of the feel and texture of those original episodes, I think you’ll love it.

There are glowing, misty aliens, just the right amount of Shatneresque, summer-of-love grooviness…and the acting and special effects at least as good as the debut series.  Congrats to the crew in Port Henry.

Trudeau’s Doonesbury tackles abortion law, goes viral

North Country native Garry Trudeau’s Doonesbury comic strip went viral this week. The provocative cartoon about Texas’ new law mandating that abortion seekers receive a transvaginal ultrasound has been pulled from at least 60 newspapers and caused a fair amount of controversy.

Doonesbury cartoonist Gary Trudeau in 1999 at Tufts University. Photo: 48states

But Trudeau stands by his choice, telling the Washington Post’s Comic Riffs blog that

“to ignore it would have been comedy malpractice.”

He elaborates in a further interview with Slate Magazine.

“The systematic dismantling of reproductive rights, much like the takedown of collective bargaining, has been taking place in full view. All I’m trying to do is cut through a little of the complacency and lay out in some detail what’s at stake.”

Trudeau’s gotten a lot a lot of feedback about the strip–not all of it complimentary. But there’s one compliment he’s happiest about:

“The comment that pleased me the most this week came in an email from my daughter: ‘You’re a good friend to the ladies, Dad.’ I used to self-identify as a feminist, simply as a matter of principle. But now I’m also a father and a husband. This is about the health and rights of people I love.”

Obituary: Helmut Kallmann, preeminent Canadian music historian

“Big news” stories out of Canada can be gleaned from headlines. A great many small stories, on topics beyond the mainstream, deserve notice too. In that spirit, here’s a nice obituary by Shelley Page in the Ottawa Citizen on the passing of Helmut Kallmann (1923-2012). Kallman died in February, at age 89.

A librarian at CBC for 20 years, he rose to become chief of the music division at the National Library of Canada. He was responsible for the content of the unprecedented and unsurpassed Encyclopedia of Music in Canada. And his A History of Music in Canada 1534-1914 was the subject’s first comprehensive treatment and established the field for subsequent researchers.

Page goes on to detail Kallman’s life, including a childhood that spanned tumultuous times:

When Kallmann left Berlin in 1939, his lawyer father and social worker mother, along with his sister, were unable to get papers to leave. But Britain had organized the Kindertransport, which took in nearly 10,000 predominantly Jewish children from Nazi-occupied countries. The family decided it best for Kallmann to go, even though they worried that he hadn’t graduated from high school, according to [Dawn] Keer’s thorough thesis on Kallmann.

For a time in London, the “refugee from Nazi oppression” was free to explore its libraries, reading books on music and history. Then the British government changed the status of Jews to “enemy aliens” and he was imprisoned on the Isle of Man, before being sent to a prison camp in Canada.

In 1940, Kallmann arrived in Quebec City on board the Sobieski, part of a convoy of 2,000 other “prisoners of war.” For the next three years, he was moved from one camp to another, starting in one near Fredericton, in the middle of a forest surrounded by barbed wire.

His family perished in concentration camps. Remaining in Canada, Kallmann went on to become

… a “one man authority on Canadian music,” according to his longtime friend and protégé, Maria Calderisi. She said the “humble and generous” Kallmann was sought out world wide as this country’s leading expert and did much to either set the record straight about Canadian music, or just get it included in the international record.

More information about Kallmann’s professional career can be found in this Canadian Encyclopedia entry. John Beckwith wrote this blog post recounting how his friend:

…told the University of Toronto student yearbook at the start of his career that his ambition was “to be useful” – a modest aim that in my view he more than realized.

Classical music doesn’t get a lot of attention. Canadian classical music is practically a sub-set of a sub-set. So, here’s to those who toil to study, preserve and share precious things, big and small.

Here’s to being “useful.”

A twist of colored glass, a North Country river, a hard, fascinating life

It’s strange where life takes you.  Matt Foley, who I profiled today, runs a couple of hydro-power dams in the Adirondacks, in Wadhams in Essex County and St. Regis Falls in Franklin County.

He got his start as an artisanal glass blower back in the 1970s.  When the energy crisis hit, he set out across the North Country looking for a cheap way to power his art.

That jumping off point led to a life of wrestling with North Country rivers and tangling with the politics of energy production in the US.

He prowled the backcountry, salvaging parts from abandoned hydro projects in Speculator, Saranac Inn, and the old Lake Placid Club.

His dams, which feed electricity to about 600 North Country homes, are part of a long history, a tradition where local hydro powered industries and whole communities.  (Foley’s Wadhams plant powers most of the homes in Westport.)

His two dams survived last year’s spring floods and tropical storm Irene and Foley is clearly weary, as worn out and frustrated as many of the farmers and loggers who’ve struggled to make a go of it in our hardscrabble region.

Not an easy life, but a fascinating one, carved out of an American tradition of ingenuity and hard-work.

“When I got here I had a BA in psychology and I was the child of an office worker,” Foley told me.

“I was completely ignorant.  What it comes down to is if you don’t know how to do something, just start. Make a start somewhere and if you’re doing it right, you’ll find that out. And if you’re doing it wrong, you’ll find that out, too.”

When I was visiting his power plant in Wadhams, I noticed these old pieces sitting on a shelf in a window.  Foley, who’s 63 now, says he hasn’t blown glass for three decades.

But it all began with those shapes of melted glass.

Painting the Adirondacks in words

This week, I’ve come across a couple of beautiful word portraits of the Adirondacks, both capturing the transport and exhilaration that these mountains inspire.  The first, by painter Sandy Hildreth, was published in the Adirondack Almanack.

My own heart was pounding harder, due to the increased altitude as well as the anticipation of what I would discover at the end of the trail. Winding through small, stunted spruce, I could sense the approach of the summit as there was now nothing but bare rock in front of me. Eagerly climbing it, my breath was taken away by the vast solitude that greeted me.

Directly ahead, across the valley that separated us, was another densely forested mountain, with additional peaks and ridges stretching back, one behind the other, all the way to the horizon.

Such a cool moment, that emergence onto open rock.  And then there’s this beautiful essay by poet Michael Coffey, describing a fishing trip during his boyhood in Saranac, published in the New England Review.

I’d walk up the abandoned broken-up pavement that ran along the brook. In the trees it was dark and the only sound was the rushing of the brook, high with snowmelt off the mountain. I’d look for those pools Dad told me held the promise of trout, as if they were lingering there, holding themselves steady and unseen beneath the surface, waiting for feed to wash through.

Coffey describes holding a trout, lifting the “sticky cold fuselage in one hand.”  It’s a wonder to live in this gorgeous place.  But even more remarkable to have people like Hildreth and Coffey, who help us to keep seeing it.