{"id":14729,"date":"2015-07-08T14:58:37","date_gmt":"2015-07-08T18:58:37","guid":{"rendered":"http:\/\/blogs.northcountrypublicradio.org\/allin\/?p=14729"},"modified":"2016-08-03T11:28:53","modified_gmt":"2016-08-03T15:28:53","slug":"help-build-the-summer-reading-list-call-in-thursday-from-10-am-12-pm","status":"publish","type":"post","link":"https:\/\/blogs.northcountrypublicradio.org\/allin\/2015\/07\/08\/help-build-the-summer-reading-list-call-in-thursday-from-10-am-12-pm\/","title":{"rendered":"Add to NCPR&#8217;s 2015 summer reading list"},"content":{"rendered":"<div id=\"attachment_14733\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"http:\/\/blogs.northcountrypublicradio.org\/allin\/files\/2015\/07\/summerreading_450.jpg\"><img aria-describedby=\"caption-attachment-14733\" loading=\"lazy\" class=\"size-medium wp-image-14733\" src=\"http:\/\/blogs.northcountrypublicradio.org\/allin\/files\/2015\/07\/summerreading_450-300x300.jpg\" alt=\"A summer reader. Photo: Emily Mills, Creative Commons, some rights reserved\" width=\"300\" height=\"300\" srcset=\"https:\/\/blogs.northcountrypublicradio.org\/allin\/files\/2015\/07\/summerreading_450-300x300.jpg 300w, https:\/\/blogs.northcountrypublicradio.org\/allin\/files\/2015\/07\/summerreading_450-150x150.jpg 150w, https:\/\/blogs.northcountrypublicradio.org\/allin\/files\/2015\/07\/summerreading_450.jpg 450w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-14733\" class=\"wp-caption-text\">A summer reader. Photo: <a href=\"https:\/\/www.flickr.com\/photos\/emilymills\/4746677195\/\">Emily Mills<\/a>, Creative Commons, some rights reserved<\/p><\/div>\n<p><strong>Our summer reading call-in was Thursday, July 9, 10-noon<\/strong>. We count on you to add titles and recommendations, via the comment section here or email <a href=\"mailto:ellen@ncpr.org\">ellen@ncpr.org<\/a>.<\/p>\n<p>The compiled book list is below<\/p>\n<p><strong><br \/>\nChris Robinson<\/strong>, program co-host<\/p>\n<p>\u201cRace\u201d is a category that finds no support in biology, but it is certainly real enough socially to cause enormous pain and suffering. Racial divides are never symmetrical; they are there to demarcate and perpetuate power over the powerless. Our racist culture serves to make this unjust and oppressive order appear normal and natural. Various strands of narrative, like the justifications we have been hearing for continuing to fly the Confederate flag over the South Carolina capital building, defend the racial divide designed to protect white supremacy with obfuscation. These narratives hide the underlying racist reality and it takes strong thinking and writing to achieve clarity. My reading involves seeking out those who conceive of truth as a tool for exposing what has been buried over with claims about heritage, military valor, purity and nature. Richard Wright, James Baldwin, Maya Angelou, Toni Morrison, Malcolm X and Dr. King exemplify this kind of dangerous thinking and writing.<\/p>\n<p>A couple of years ago, Jonathan Brown (weekend announcer for NCPR) sent me a link to an article by a new writer, Ta-Nehisi Coates. The title of the piece was \u201cThe Case for Reparations,\u201d and Jonathan told me I\u2019d be a fool not to read it. He was absolutely right. Since receiving that sage advice, I have been careful to read everything I could by Coates, including his memoir, <em>The Beautiful Struggle<\/em>. I\u2019ve been reading illuminating works on \u201cwhiteness\u201d and \u201cblackness\u201d by a whole range of thinkers, but Coates remains the most profound author around. His work creates the categories and vocabulary we Americans really need to finally expose or racism as a first step toward its abolition.<\/p>\n<p>Here\u2019s my list for this summer:<\/p>\n<p style=\"padding-left: 30px;\"><strong><em>Fiction<\/em><\/strong><\/p>\n<ul>\n<li>Gary Shteyngart, <em>Absurdistan<\/em> and <em>Super Sad True Love Story. <\/em>Shteyngart is one of the finest comedic writers working today. Yes, he is funny, but he also has a gift for creating stunning worlds in his novels \u2013 a whole country in <em>Absurdistan<\/em> and a dystopian future in <em>Super Sad True Love Story<\/em>. This is beach entertainment that won\u2019t embarrass you when someone from the next blanket asks you what you\u2019re reading.<\/li>\n<li>Hans Faluda, <em>Every Man Dies Alone<\/em>. Faluda was a very popular author in Europe between the wars and immediately after. In this novel, a German couple resists the Nazi Party by dropping cards with anti-Hitlerian slogans throughout Berlin. It is a fascinating portrait of life lived under Nazism. Those images of uniformity in belief and action I associate with Leni Riefenstahl\u2019s \u201cTriumph of the Will\u201d prove inaccurate in Faluda\u2019s examination of the society through his characters.<\/li>\n<li>John Wideman, <em>Fanon<\/em>. This is an impressionistic novel that manages to capture the spirit of Frantz Fanon\u2019s anti-colonialism, his defense of violence on behalf of the colonized over their much better armed oppressors, and his sense of justice. It took me a while to catch on to the rhythm of Wideman\u2019s sentences. It felt like I was just grasping the material when I finished the book. I think this is a good thing.<\/li>\n<li>David Foster Wallace, <em>The Pale King<\/em>. This novel was published after Wallace\u2019s death. It was put together from one large manuscript in draft form that was sitting on his desk, and then from various pieces found on floppy disks, stray pages and file folders. It is not the novel that Wallace was seeking to write. But the work does manage to evince great art from the complete and utter boredom of life in the offices of the IRS.<\/li>\n<li>Karl Ove Knausgaard, <em>My Struggle<\/em>, Volume 3. Last winter I led with my complete absorption in the world of Knausgaard as it is presented in the first two volumes of this six volume opus. I plan to read one a year as they are translated and published in paperback editions. Volume three is a brilliant portrait of Knausgaard as a child. The narrative is not as temporally discordant as the first two volumes. He stays in the past tense with one small exception. Much of the book is taken up recalling how much Knausgaard feared his father and how awful his father made his life. In the one temporal jump, Knausgaard turns to his relationship with his own children. He walks into the room where his children are playing and they don\u2019t notice him. For Knausgaard this signals his success as a parent. His children are comfortable enough around him to fail to notice he entered the room.<\/li>\n<li>Antonio Skarmeta, <em>The Days of the Rainbow<\/em>. The setting for this novel is Chile under the military dictatorship of Pinochet. The son of a philosophy professor witnesses his father\u2019s arrest. What follows is a fascinating dissection of the relationship of politics to advertising as one family engages in dangerous oppositional politics in the form of a fake election and another seeks the truth of what happened to their loved one.<\/li>\n<li>Zadie Smith, <em>NW<\/em>. I am a huge and unabashed fan of Zadie Smith\u2019s novels and essays. Thus I was pretty worried when I read the uniformly negative reviews of her latest work before I read the book for myself. If you like Smith\u2019s work, then you will see this novel, <em>NW<\/em>, as a character study of the neighborhood where she grew up in North West London as an experiment in form and style. The dialogue is pure Zadie Smith. The pastiche form the work takes is distinctive. How do you bring a neighborhood \u2013 buildings, cars, noise, cooking smells, community, violence, and love \u2013 alive? I say that Smith accomplishes this. Critics disagree (and they are wrong).<\/li>\n<li>Michael Chabon, <em>Telegraph Avenue<\/em>. I like Chabon a lot too. I don\u2019t think this novel is as successful as his earlier books, and it does not compare to Smith\u2019s <em>NW<\/em>. Chabon, too, attempts to bring a neighborhood to life, as well as a musical and political culture. The novel has high aspirations and I admire this.<\/li>\n<li>Hilary Mantel, <em>Bring Up the Bodies<\/em>. This is the second volume of the Wolf Hall series that will include a third. If you have read <em>Wolf Hall<\/em> and grew to love Thomas Cromwell, then this second book will not disappoint.<\/li>\n<li>James McBride, <em>The Good Lord Bird. <\/em>What a stunning novel this is. The setting is pre-Civil War America and the militant abolitionism of John Brown. The story is told from the vantage of a slave liberated by Brown. This boy was mistaken for a girl, and he spends much the novel in a dress. He\u2019s nicknamed \u201cOnion\u201d by Brown and the name sticks. To be an abolitionist was to be a fanatic. John Brown\u2019s devotion to the cause of freeing slaves was fed by religious fervor, and McBride is brilliant in depicting this aspect of Brown\u2019s character with a strong dose of comedy. This is an oddly and effectively funny book. You know how the story will end before you begin reading. There\u2019s no mystery. But McBride manages to tell this story so compellingly it is difficult to put it down. McBride is also the author of <em>The Color of Water<\/em>, a memoir, which has made our reading lists several times over the last few years.<\/li>\n<li>Marisha Pessl, <em>Night Film<\/em>. I read Pessl\u2019s debut novel, <em>Special Topics in Calamity Physics,<\/em> a few years ago and placed it high on my list of favorite books. I was excited to get my hands on her sophomore effort, and it was worth the wait. Like her first novel, a father\/daughter relationship is the animating force of the work. A young woman, daughter of a famed movie director, commits suicide. A disgraced journalist decides to take up the story and seeks to understand why someone so wealthy, beautiful and talented would kill herself. The investigation takes him through the director\u2019s actual and filmic world. The story is dense and complicated, but Pessl builds scenes and characters that are absorbing. In the end, all the mystery has been exposed as, well, not very mysterious. We have learned a deep lesson about the magic of film: We buy into the illusions because we love and even need them.<\/li>\n<li>Richard Yates, <em>Revolutionary Road<\/em>. I know this is regarded as a classic by readers I respect, but I just got around to reading it. Is there a better take on the psychological toll of the corporate rat race in literature? A marriage begins in love and mutual respect. Under the pressure of life in middle-class America, it unravels. Yates is just plain unflinching when it comes to showing how destructive marital arguments can be. Intimacy becomes a weapon; love is a crowbar that wrenches open ribs to expose the soul. It is awful to read, and yet mesmerizing. All those compromises we make just to live and live well come back to haunt as resentments.<\/li>\n<\/ul>\n<p style=\"text-align: left; padding-left: 30px;\"><em><strong>Poems, Memoir, Non-Fiction <\/strong><\/em><\/p>\n<ul>\n<li>Ta-Nehisi Coates, <em>The Beautiful Struggle<\/em>. Let me admit that I\u2019m just not cool enough for this book. Much of the slang and the knowing takes on the music of Coates\u2019s youth are beyond me. But this is an insightful and moving memoir of Coates\u2019 experiences growing up on the streets of Baltimore. What must you know to get to school and home again safely? What facial expression at the wrong time could get you killed? How many friends do you need to ward off violence? The relationship of Coates to his scholarly Black Panther, then former Black Panther, father is drawn lovingly, but without sacrificing the idiosyncrasies of the relationship. The writing is electric and edges toward the incendiary when it needs to. Racism is exposed in the fear and anger of this young person try not simply to survive, but to flourish as a human being. Coates is emerging as a major writer and public intellectual. He has a new book coming out this month. It will be on the top of my list come November or December.<\/li>\n<li>Christopher Finch, <em>Chuck Close: Life<\/em>. I love biographies of artists and musicians. But I have to say that I go into these works hoping to discover some key to creativity and vision and I always seem to come away disappointed. It turns out that much of what it takes to be a great artist is hard work. Talent comes in a distant second. Finch is a friend of Close\u2019s, and the biography was commissioned. I knew there would not be any surprises about the life as it was portrayed. But the story of how Close responded to a devastating event \u2013 an occlusion of the spinal artery that left him nearly quadriplegic is amazing and inspirational. I love Close\u2019s work. The book brought helped me understand this work a bit better. It was well worth the trip.<\/li>\n<li>Chris Hedges, <em>The Wages of Rebellion<\/em>. Hedges has been coming out with a book a year for over a decade now. I\u2019ve read them all. I need his passionate critiques of corporate capitalism, party politics, the distortion of Christianity to justify hateful policies, and his diagnosis of our nation as sick and in need of radical democratic medicine. This book is a study of what Reinhold Niebuhr called the \u201csublime madness\u201d at the moral core of any rebel or act of rebellion. The study is composed of an array of stories of those who willingly oppose policies and conditions they regard as unjust and criminal, even when these actions place them at great risk. The studies of Edward Snowden, Chelsea Manning, Julian Assange and others are compelling, learned and insightful.<\/li>\n<li>James Wood, <em>The Nearest Thing to Life<\/em>. Wood is the critic who convinced me I needed to read Karl Ove Knausgaard, and so I am completely indebted to him. What I like most about Wood\u2019s critical works is how they are suffused by love of literature and a belief that literary works make the world better. As crappy as we humans are and as awful as things are, we still can create works of surpassing beauty and wisdom. Sroies and novels by Chekhov, Sebald, Knausgaard and others not only describe the shape of our life, but they can give life shape too (as we readers know all too well).<\/li>\n<li>Marie Matsuki Mockett, <em>Where the Dead Pause and the Japanese Say Goodbye<\/em> . Matsuki Mockett is the daughter of a Scotsman and a Japanese woman, and she has traveled between Japan and the United States since her childhood. She is an outsider in Japan, but she speaks the language fluently and has made a study of Japanese tradition and spirituality. This is the background she brought to her visit to northern Japan after the earthquake, tsunami and contamination from the Fukushima nuclear facility. As she traveled, she sought to understand the changes this disaster made to the ordinary life of those affected directly. Yet, the book transcends the ordinary travelogue and becomes a philosophical reflection on family, death and the ordinary human quest to comprehend reality.<\/li>\n<li>Benjamin Lerner, <em>The Good Doctor. <\/em>This is a wonderful memoir by a physician and medical ethicist that compares the practice of his physician father with his own. We no longer live in a world where the doctor is God. The consequences of this transformation of how medical decisions are made are wide-ranging.<\/li>\n<li>Atul Gawande, <em>Being Mortal.<\/em> This is the most important book on healthcare in America available. Gawande blends the story of his father\u2019s experiences of aging and dying with an analysis of American healthcare. Our country is getting older, but the system does not reflect this. Geriatric care should be a growth industry for current medical students, but it is an unpopular minor specialty instead. Gawande researches the history of nursing homes, euthanasia and palliative care in this rich and provocative volume. This is the book we need to begin a robust conversation on how we should take care of one another.<\/li>\n<li>Claudia Rankin, <em>Citizen: An American Lyric.<\/em> Rankin\u2019s book was a finalist for the National Book Award in two categories: poetry and criticism. I think this is a first. What does it feel like to grow up black in America? Can you write of this experience in a way that leaves a white reader comprehending the injustice of the privilege and sense of entitlement they would experience if privilege and entitlement were not so invisible to the possessor? There are lines and sections of this book that left me ashamed and inspired to make the kind of social changes that originate in the activist. Rankin quotes James Baldwin\u2019s observation: \u201cThe purpose of art is to lay bare the questions hidden by the answers.\u201d<\/li>\n<li>Melanie Jordan, <em>Hallelujah for the Ghosties<\/em>. My colleague Lisa Propst turned me on to this debut collection of poems. The only sort of connection between the poems is the \u201cI\u201d of the writer and her playfulness. The emotions are entirely human and the voice, slow mostly, but occasionally fast, is brave. I keep this volume on my desk at work. I\u2019ve been dipping into it for months now. It is a companion.<\/li>\n<li>Hoberman, <em>Film After Film<\/em>. Hoberman is a film critic who does more than assess the individual film. He raises larger, philosophical questions about what happens to movie making and the experience of watching a movie when the medium of the art has transitioned from film stock to digital, and when the effects achieved in a film are largely computer-generated. This book is divided between two large subject areas in the film world in the 21<sup>st<\/sup> century. The first area is composed of the ontological and experiential issues I just noted. The second pertains to the way the film industry responded to the terrorist attacks of 9\/11 and their aftermath. Hoberman is an intelligent guide to the intersection of movies and politics. Not only did I come away from the book with some deep questions about the movie business, but I have a fine list of films that I need to see.<\/li>\n<li>Donald Hall, <em>Unpacking the Boxes<\/em>. Hall is a former U.S. Poet Laureate and he has received the Medal of Freedom from President Obama. I do like his poetry. But it is his memoir writing that draws my attention and cultivates devotion. This book is a companion to his memoir on his marriage to Jane Kenyon and her death. I found it moving and now wonder why I fear aging so much.<\/li>\n<\/ul>\n<p><strong><br \/>\nJohn Ernst<\/strong>, program co-host (details on these titles coming soon)<\/p>\n<p><em>Hold Still: A Memoir in Photographs<\/em> &#8212; Sally Mann<\/p>\n<p><em>Redeployment<\/em> &#8211; Phil Klay. A collection of short stories and National Book Award winner<\/p>\n<p><em>Bang the Drum Slowly<\/em> &#8211; Mark Harris (oldie but goodie). A highly recommended classic, part of the author\u2019s series of books about a baseball player and his life<\/p>\n<p>Fourth of July Creek\u00a0&#8211; Smith Henderson. A novel of big themes in American society<\/p>\n<p><em>Can&#8217;t We Talk About Something More Pleasant? A Memoir <\/em>&#8211; Roz Chast (Ellen, you should read if you haven&#8217;t already)<\/p>\n<p><em>As You Wish: Inconceivable Tales from the Making of The Princess Bride<\/em> &#8211; Cary Elwes with Joe Laydon. For everyone who loves the film (and who doesn\u2019t?)<\/p>\n<p><em>Dead Wake: The Last Crossing of the Lusitania<\/em> &#8211; Erik Larson<\/p>\n<p><strong><br \/>\nEllen Rocco<\/strong>, NCPR<\/p>\n<p><em>Between the World and Me<\/em>, Ta-Nehisi Coates. A collection of letters to his son about growing up, coming of age, and understanding the artificial construct of race in America. Coates is a leading thinker in a new generation of African-American writers.<\/p>\n<p><em>The New Jim Crow: Mass Incarceration in the Age of Color Blindness<\/em>, Michel Alexander, introduction by Cornel West. \u201cWe have not ended racial caste in America; we have merely redesigned it.\u201d<\/p>\n<p><em>The Fire Next Time<\/em>, James Baldwin. With so many race-related stories, issues and events on our national radar in the past couple of years, I\u2019m planning to re-read Baldwin\u2019s 1963 classic. I haven\u2019t read it since it first came out\u2014how will it touch me now, vs. the way I saw and understood the book when I was still a teenager?<\/p>\n<p><em>Our Souls at Night<\/em>, Ken Haruf<\/p>\n<p><em>A Narrow Road to the Deep North<\/em>, Richard Flanagan<\/p>\n<p><em>The Lives of Others<\/em>, Neel Mukherjee<\/p>\n<p><em>Toms River: A Story of Science and Salvation<\/em>, Dan Fagin<\/p>\n<p><em>All the Light We Cannot See<\/em>, Anthony Doerr<\/p>\n<p><strong><br \/>\nConnie Meng<\/strong>, NCPR<\/p>\n<p><em>All the Light We Cannot See<\/em>, Anthony Doerr &#8212; Won the Pulitzer. A WWII novel that tells the stories of a blind FRench girl and a young German boy whose stories eventually converge. It&#8217;s beautifully written has some of the feeling of &#8220;The Book Thief.&#8221;<\/p>\n<p><em> Words Without Music<\/em>, Philip Glass &#8212; A memoir, surprisingly humorous and interesting. Chronicles how he developed his musical style. Of interest to musicians and entertaining for the general public.<\/p>\n<p><strong><br \/>\nJackie Sauter, <\/strong>NCPR<\/p>\n<p>Kate Atkinson. All her books are wonderful, from her early <em>Behind the Scenes at the Museum<\/em>, to the Jackson Brody mysteries, to her more recent paired novels, <em>Life After Life<\/em> and <em>A God in Ruins. <\/em>Beautiful books about coincidence, the confluence of events, and how our presence and our actions impact the world around us.<\/p>\n<p>Some authors I love and always recommend: Frances Itani. Her beautiful <em>Deafening<\/em>. Set in Belleville, Ontario, and her recent critically acclaimed sequel,<em> Tell. <\/em>Michael Ondaatje. Everything. But try some of his earlier work, like <em>In the Skin of a Lion<\/em> for a sense of farming near Lake Ontario and the building up of Toronto in the 1920s. Louise Penny. Mysteries set in Quebec, great summer reads &#8212; get going &#8212; her newest is out in August.<\/p>\n<p>Donna Walsh Inglehart, <em>Grindstone, A Novel.<\/em> Civil War Era Confederate spies roaming through the Thousand Islands. A great summer read for young adults and their elders. Adventure, romance and a real sense of what life might have been like in our islands back then.<\/p>\n<p>What I\u2019m reading next: Jo Walton\u2019s <em>The Philosopher Kings, <\/em>and her just-out sequel, <em>The Just City. <\/em>With a nod to Plato\u2019s <em>Republic<\/em>, we\u2019re talking sci-fi-fantasy complete with time traveling gods and goddesses and philosophical robots. I can\u2019t wait!<\/p>\n<p><strong><br \/>\nSarah Harris<\/strong>, NCPR<\/p>\n<p><em>A Tale for the Time Being<\/em> by Ruth Ozeki<\/p>\n<p><strong><br \/>\nRadio Bob Sauter<\/strong>, NCPR<\/p>\n<p><em>Behind the Scenes at the <\/em>Museum by Kate Atkinson, the <em>Game of Thrones<\/em> series, classic Rex Stout novels from way back then<\/p>\n<p><strong><br \/>\nMichael Coffey<\/strong>, writer\/editor<\/p>\n<p>Note: Michael recommended the Philip Glass book,<em> Words Without Music<\/em>, too, and sent along a review he wrote for <em>Bomb<\/em> magazine (in the current issue). And, Michael pointed out that Philip Glass is cousin to Ira Glass. The book is really very good: great stories, artistic adventure and purity and ambition melded in one very nice man who worked for everything he got.<\/p>\n<p><strong><br \/>\nElizabeth Folwell<\/strong>, Board Chair, Adirondack Center for Writing, an organization for readers and writers alike<\/p>\n<p>As an audiobook, <em>Dead Wake<\/em> by Erik Larson, author of <em>Devil in the White City<\/em>, is fascinating. He does such extensive research, and the story of the last voyage of the Lusitania even has an Adirondack hook&#8211;Alfred G. Vanderbilt, who owned Great Camp Sagamore, went down with the ship.<\/p>\n<p>Like millions of other readers, I really enjoyed <em>All the Light We Cannot See<\/em>, and the story was all the more poignant because descriptions of people, places and events were not visual, depicted as a blind person would have observed them. I thought that was a terrific example of storycraft.<\/p>\n<p><strong><br \/>\nMarcia Brooks<\/strong>, a reader via email<\/p>\n<p><em>The Nightingale<\/em>, Kristen Hannah. I have long enjoyed Kristen Hannah books, but this one is outstanding. Men as well as women will enjoy it. <em>The Nightingale<\/em> takes place during WWII, mainly in France, and is the story of two sisters. Very well written with a great ending.<\/p>\n<p><strong><br \/>\nPat Nelson<\/strong>, a reader via email<\/p>\n<p>One of my favorites is<em> On Behavior<\/em> by Karen Pryor, a series of essays on the use of scientific behavior concepts by orchestra conductors, music teachers, dog obedience instructors, professors, sports coaches and many more. Who can resist articles with titles like &#8220;Why Orchestra Conductors Would Make Good Porpoise Trainers&#8221;, or &#8220;The Rhino Likes Violets&#8221; or &#8220;The Dreadful Dowager Dolphin&#8221;? Pryor&#8217;s writing is knowledgeable, perceptive and witty.<\/p>\n<p>For those that like dogs and like mysteries, Neil Plakcy&#8217;s Golden Retriever Mysteries series, Karen Harbert&#8217;s <em>Murder at the Dog Show<\/em>, and Krista Davis&#8217;s Paws and Claws series will provide plenty of well-written suspense and interesting characters &#8212; human, canine and feline. Davis also has a series, &#8220;The Domestic Diva Mysteries&#8221; which is equally well-written with quirky characters and fewer canines. Both of Davis&#8217;s series feature recipes that may rouse you from your deck chair and into the kitchen.<\/p>\n<p>For those who will be teaching or taking Chemistry 101 in the fall, and those who wish that Chem 101 had been more interesting, Sam Kean&#8217;s <em>The Disappearing Spoon: and Other True Tales of Madness, Love and the History of the World from the Periodic Table of Elements<\/em> will bring the subject to life.<\/p>\n<p><strong><br \/>\nSally Lynch, <\/strong>a reader via email<\/p>\n<p>My most memorable read this year is <em>Quiet: the Power of Introverts in a World that Can&#8217;t Stop Talking<\/em> by Susan Cain. This is nonfiction, beautifully researched, very well written and really original. It is an important book.<\/p>\n<p><strong><br \/>\nJohn Goddard<\/strong>, a reader via email<\/p>\n<p>This is more in the way of a &#8220;heads up.&#8221; Author Sarah Bannan will be giving a talk and readings from her new book <em>Weightless<\/em> at the Johnsburg Public Library in North Creek at 7:00 pm tonight (Thursday 7\/9\/15). \u00a0Sarah lives in Ireland and is visiting her parents who summer in North River.<\/p>\n<p>I have not read the book but a couple of friends have recommended it and it seems to be getting good reviews.<\/p>\n<p><strong><br \/>\nPaul Monroe<\/strong>, A Blue Mountain Lake reader via email<\/p>\n<p><em>10:04<\/em> by Ben Lerner. He is a poet so the prose is both accessible and dense. I read it twice in a row- something I have never done before.<\/p>\n<p><strong><br \/>\nWendy Gordon<\/strong>, a reader via comment form<\/p>\n<p>Brigid Schulte, <em>Overwhelmed: How to Work, Love, and Play when No One has the Time<\/em>. In a style reminiscent of Mary Roarke, Schulte, a journalist, goes on a mission to discover why she doesn\u2019t have any time \u2013 not even enough to keep a time diary for expert analysis. Covering a wide swath of social sciences and different cultures, she does an excellent job of explaining where \u201cthe overwhelm\u201d comes from and how to combat it, without ever taking on the preachy or overly-academic tone of so many similar books.<\/p>\n<p><strong><br \/>\nMarti Whitmer<\/strong>, a reader via Facebook<\/p>\n<p>I am rereading the &#8220;Outlander&#8221; series of 8 books. There are nuances afresh with each rereading. It is one of those novels where one can see, feel, smell, and taste with each page. The characters delve into life issues unflinchingly. Love it!<\/p>\n<p><strong><br \/>\nEllen Butz<\/strong>, a reader via Facebook<\/p>\n<p>If you like mysteries I recommend any of the Venetian mysteries by Donna Leon. Well developed characters and a great sense of place. I especially enjoyed the recent <em>Falling in Love<\/em>.<\/p>\n<p><strong><br \/>\nLeslie Anne King,<\/strong> a reader via Facebook<\/p>\n<p>Another mystery series: A series of five books, #5 out earlier this year, all set in Istanbul of the 1820s in the waning days of the Ottoman Empire. The author is Jason Goodwin, the Investigator is Yashim a eunuch in the service of the sultan. I just re-read the first of them, <em>The Janissary Tree<\/em> and loved it again, looking forward to #5. The writing is good, the mysteries are good, and the setting is a wonderful way to learn about that very interesting place and time.<br \/>\n<strong>Rod Giltz<\/strong>, from Plattsburgh<\/p>\n<p><em>Red Notice<\/em>, by Bill Browder, about a hedge fund in Russia, intrigue and mystery<\/p>\n<p><strong><br \/>\nJeremy<\/strong>, from Canton<\/p>\n<p>Novels and essays on American pop culture by Chuck Klosterman<\/p>\n<p><strong><br \/>\nMike<\/strong>, from Brandt Lake<\/p>\n<p><em>The Dog Stars<\/em> by Peter Heller, post-apocalyptic fiction, for a walk on the dark side<\/p>\n<p><strong><br \/>\nJoAnn<\/strong>, from Lake Placid<\/p>\n<p><em>Jitterbug Perfume<\/em> by Tom Robbins, from the 1980s. About keeping a light heart<\/p>\n<p><strong><br \/>\nMary Lou<\/strong><\/p>\n<p><em>Mountains Beyond Mountains: The Quest of Dr. Paul Farmer <\/em>by Tracy Kidder, a classic biography about how one person can make a difference<\/p>\n<p><strong><br \/>\nMargaret<\/strong><\/p>\n<p><em>The Warmth of Other Suns: The Epic Story of America\u2019s Great Migration<\/em>, by Isabel Wilkerson. Highly acclaimed historic study of African Americans\u2019 move northward. National Book Award winner.<\/p>\n<p><strong><br \/>\nJoe<\/strong> from Wellesely Island<\/p>\n<p>Albany-based William Kennedy novels: <em>Ironweed, Legs, Billy Phelan\u2019s Greatest Game<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong> Linda<\/strong><\/p>\n<p><em>One Thousand Porches<\/em> by Julie Dewey, the story of a family and TB and Saranac Lake<\/p>\n<p><strong><br \/>\nHomer<\/strong><\/p>\n<p><em>Pretty Is<\/em> by Maggie Mitchell<\/p>\n<p><strong><br \/>\nTom<\/strong>, from Warrensburg<\/p>\n<p><em>Approaching Twinight<\/em> tby M. Thomas Apple<\/p>\n<p><strong><br \/>\nMary<\/strong> in Watertown<\/p>\n<p><em>Some Luck<\/em> by Jane Smiley, a great read pf a family saga<\/p>\n<p><strong><br \/>\nJackie<\/strong> in the Adirondacks<\/p>\n<p><em>On the Move <\/em>by Oliver Sacks<\/p>\n<p>&nbsp;<\/p>\n<p><strong> Ken<\/strong> from Grindstone Island<\/p>\n<p><em>The Given Day <\/em>by Dennis Lehane<\/p>\n<p><strong><br \/>\nJoe<\/strong><\/p>\n<p><em>The Monkey Wrench Gang<\/em> by Edward Abbey, a classic<\/p>\n<p><strong><br \/>\nMichael<\/strong> from Potsdam<\/p>\n<p>A memoir, <em>From Jailer to Jailed My Journey from Correction and Police Commissioner to Inmate #84888-054<\/em> by Bernard Kerik. The case for prison reform by the controversial former NYC police commissioner.<\/p>\n<p><strong><br \/>\nBarbara<\/strong> via Facebook<\/p>\n<p><em>Weightless: A Novel <\/em>by Sarah Bannan<\/p>\n<p><strong><br \/>\nBret<\/strong><\/p>\n<p><em>Champlain\u2019s Dream <\/em>by David Hackett Fisher<\/p>\n<p><strong><br \/>\nStephanie<\/strong><\/p>\n<p><em>The Secret Wisdom of the Earth <\/em>by Christopher Scotton<\/p>\n<p><strong><br \/>\nKevin<\/strong> from Akwesasne<\/p>\n<p><em>Eats, Shoots &amp;Leaves<\/em> by Lynne Truss, classic and funny take on grammar; <em>Sacre Blau: A Comedy \u2018Art<\/em> by Christopher Moore, a comedy about art and other things<\/p>\n<p><strong><br \/>\nSusanne<\/strong><\/p>\n<p>Phil Klay\u2019s <em>Redeployment<\/em><\/p>\n<p><strong><br \/>\nBetsy<\/strong> from Blue Mountain Lake<\/p>\n<p><em>Dead Wake<\/em> by Erick Larsen, the last voyage of the Lusitania; <em>All the Light We Cannot See <\/em>by Anthony Doerr<\/p>\n<p><strong><br \/>\nDave<\/strong> from Burlington<\/p>\n<p><em>Ulysses<\/em> by James Joyce;<\/p>\n<p><strong><br \/>\nA friend<\/strong><\/p>\n<p><em>Master and Commander<\/em> series by Patrick O\u2019Brien, great summer reads<\/p>\n<p><strong><br \/>\nFrom the author<\/strong>, who lives in Trumansburg and summers in the 1000 Islands<\/p>\n<p><em>Wolfe Island A New York Style American Historical Romance (Diamonds on the Water Book 1) <\/em>by Giulia Torre<\/p>\n<p><strong><br \/>\nRobert<\/strong><\/p>\n<p><em>2666: A Novel<\/em> by Roberto Bolano<\/p>\n<p><strong><br \/>\nJohn<\/strong><\/p>\n<p><em>The Whites: A Novel<\/em>, by Richard Price<\/p>\n<p><strong><br \/>\nWhitney<\/strong> from Bombay<\/p>\n<p><em>The Soil Will Save us<\/em> by Kristin Olsohn<\/p>\n<p><strong><br \/>\nParmalee<\/strong><\/p>\n<p><em>The Good Lord Bird<\/em> by James McBride; <em>The Sellout<\/em> by Paul Beatty; <em>Americanah<\/em> by Chimamanda Ngozi Adichie , <em>The Arsonist<\/em> by Sue Miller<\/p>\n<p><strong><br \/>\nJohn<\/strong><\/p>\n<p><em>Ghettoside <\/em>by Jill Leovy<\/p>\n<p><strong><br \/>\nBill<\/strong> from Minerva<\/p>\n<p>New author Jason Matthews, his <em>Red Sparrow<\/em> and other spy novels; older author: W.C. Heinz, sportswriter and novelist<\/p>\n<p><strong><br \/>\nJean<\/strong><\/p>\n<p>Louise Penney novels<\/p>\n<p><strong><br \/>\nFrom a listener<\/strong><\/p>\n<p><em>Principles of Navigation<\/em> by Lynn Sloan<\/p>\n<p><strong><br \/>\nJohn<\/strong><\/p>\n<p><em>A String of Beads<\/em> by Thomas Perry<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our summer reading call-in was Thursday, July 9, 10-noon. We count on you to add [&#8230;]<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[4863,52,15714,15342],"_links":{"self":[{"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/posts\/14729"}],"collection":[{"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/comments?post=14729"}],"version-history":[{"count":23,"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/posts\/14729\/revisions"}],"predecessor-version":[{"id":17613,"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/posts\/14729\/revisions\/17613"}],"wp:attachment":[{"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/media?parent=14729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/categories?post=14729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.northcountrypublicradio.org\/allin\/wp-json\/wp\/v2\/tags?post=14729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}